Benoît Maire

Benoît Maire brings together notes, drawings, rough drafts of sculptures, photomontages, collages, and paintings, in order to measure the precarious equilibrium between an image and its concept. He's in search of an intersection between formal and mental space where an esthetic can blossom. Here, the “differend,” a notion borrowed from Jean-François Lyotard, enables the artist to broach two paradigms that structure post-conceptual art: relativism and linguistic form. After having earned a M.A. in Philosophy at the Sorbonne, Benoît Maire studied art at the Villa Arson in Nice until 2003. His work was recently exhibited in France at the New Festival at Pompidou Center and in the Modules at Palais de Tokyo (2008), as well as in London at the Institute of Contemporary Arts and the Lisson Gallery. In 2010, Benoît Maire was invited to have a solo show at the Aquitaine FRAC. He is represented by the Corthex Athletico Gallery (Bordeaux). In 2009, the artist began researching the “aesthetics of differends.”
Born in 1978. Lives and works in Paris. Represented by gallery Cortex Athletico, Bordeaux.



For Dynasty, the Palais de Tokyo shows Le Nez [The Nose] (2010), a bronze sculpture accompanied by texts and drawings, forming a kind of metadata of the work. The Musée d’Art moderne de la Ville de Paris/ARC projects the text of this sculpture and hosts La Caverne (The Cavern): an installation composed of mirrors, chairs and a telescope.



Esthétique des différends, point 4, 2010 Texte imprimé, plâtre, tirage lambda, crayon sur papier, résine époxy, image trouvée, perspex, bois, assiette, texte défilant sur moniteur 555,6 x 60 x 110 cm Courtesy de l’artiste / Galerie Cortex Athletico, Bordeaux Photo : Aurélien Mole



Esthétique des différends, partie 5, 2009 Plâtre, photographie noir et blanc, impression jet d’encre, stylo sur papier, perspex, carte à gratter, image trouvée Courtesy Hollybush Gardens, Londres / Cortex Athletico, Bordeaux